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I travelled to China last year (a foreigner indeed in his "motherland") and rediscovered many things.
One of these things, Chinese ink painting along with its spirit and craft, continues to make me wonder:
Can the vitality of form express spiritual insights?
At which points do mountains and trees become humanistic?
How to take insights from traditional craft into digital craft?
It is emptiness that turns clay into pottery – what does that really mean?
Inspired by these, I decided to start with